Creators were fascinated when YouTube revealed in September that it will permit video producers to generate money from Shorts, the video site’s TikTok clone.
Being so moved, Jaeki Cho of Righteous Eats, a culinary account that showcases eateries in New York City run by people of color, made a TikTok video pledging to premiere all content on Shorts before any other platform.
“Despite how much I adore TikTok, the amount of money it makes is minimal. However, YouTube is establishing that element of the game, according to Cho. YouTuber is a job title because of this.
Prior to YouTube implementing a 45% income share for Shorts makers early in the following year, his objective was to expand the Righteous Eats YouTube channel. The channel had just 283 YouTube subscribers at the time, but it now has 137,000 TikTok followers. The YouTube channel, which now has a little under 2,000 subscribers, was slowly grown by publishing material exclusively on Shorts for 24 hours before releasing to TikTok and Instagram Reels.
![](https://radiantmedia.io/wp-content/uploads/2023/03/YouTube_full-color_icon_2017.svg_-1.png)
However, the experiment did not last long. According to Brian Lee, the business director at Righteous Eats, the platform is so “cumbersome and hard to use” that the channel only windowed their work on YouTube Shorts for a week or two. The primary obstacle to us continuing to do that, according to Lee, was the actual tool itself being awful. He highlighted scheduling issues and issues with music features, but he still maintains his “bullish” stance on Shorts. “At this time, the ROI is not there.”
The experience of Righteous Eats highlights a viewpoint that many filmmakers share regarding YouTube shorts. YouTube is a tempting prospect in the TikTok era, but it is also fraught with practical challenges, such as TikTok’s black box algorithm, claims of ties to the Chinese Communist Party, and ongoing threats of U.S. bans. Because a large portion of TikTok’s revenue potential come from brand agreements, creators say that the platform’s popularity and virality are erratic. Since it launched 15 years ago, YouTube’s Partner Program has allowed creators to split video ad revenue. Although the business has not made a specific date publicly known, Shorts is scheduled to join the Partner Program in the first quarter of 2023.
![](https://radiantmedia.io/wp-content/uploads/2023/03/YouTube-Shorts-1024x576.webp)
YouTube Shorts is a platform in purgatory up until that point. There is a genuine sense of enthusiasm among creators as they discuss Shorts monetization, which may signal the coming of a Big Bang. However, YouTube, the more established member of the video triad alongside TikTok and Instagram, continues to hold promise as a short-form video platform.
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YouTube Shorts is a platform in purgatory up until that point. There is a genuine sense of enthusiasm among creators as they discuss Shorts monetization, which may signal the coming of a Big Bang. However, YouTube, the more established member of the video triad alongside TikTok and Instagram, continues to hold promise as a short-form video platform.
![](https://radiantmedia.io/wp-content/uploads/2023/03/b0e38629-1473-42d4-a313-823f404bed1f-YMAHmH-1024x576.jpeg)
Faced with that competition, YouTube loves to highlight the rise of the “multiformat” creator: a master of all trades who occasionally goes live and posts Shorts as well as long-form traditional videos. According to YouTube, the firm is noticing an increase in the number of producers who are drawn to Shorts and utilize them as a springboard to lengthier projects. (and the ad revenue that comes with it). When challenged to back up that assertion with facts or data, YouTube refused.
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